Music, TV & radio, books, film, art, dance & photography. We've noticed you're adblocking. We rely on advertising to help fund our award- winning journalism. We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. Thank you for your support. ![]() Share this Rating. Title: Broken Arrow (1950) 7.2 /10. Want to share IMDb's rating on your own site? Use the HTML below.War film - Wikipedia. War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecture. Requires free registration. Cooper nacque a Helena, nel Montana, figlio di immigrati britannici. Cooper visse in Inghilterra con sua madre, Alice Brazier (1873–1967), donna originaria del Kent. ![]() It has been strongly associated with the 2. Themes explored include combat, survival and escape, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subject is the Second World War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film. Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action and historical drama to wartime romance. Subgenres, not necessarily distinct, include anti- war, comedy, animated, propaganda, and documentary. ![]() Frank Cooper, dit Gary Cooper, est un acteur américain né le à Helena et mort le à Beverly Hills. Figure majeure du cinéma américain des. Cinemacom defines and lists the 500 best western films with additional list of the Top 40 Westerns. Gary Cooper (born Frank James Cooper; May 7, 1901 – May 13, 1961) was an American film actor known for his natural, authentic, and understated acting style and. There are similarly subgenres of the war film in specific theatres such as the western desert (North Africa), the Pacific in the Second World War, or Vietnam; and films set in specific domains of war, such as the infantry, the air, at sea, in submarines, or at prisoner of war camps. The war film genre is not necessarily tightly defined: the American Film Institute, for example, speaks of . The director Sam Fuller defined the genre by saying that . However, Neale notes, films set in the American Civil War or the American Indian Wars of the 1. First World War. The critic Julian Smith argues, on the contrary, that the war film lacks the formal boundaries of a genre like the Western, but that in practice, . Both genres use opposing concepts like war and peace, civilization and savagery. War films usually frame World War II as a conflict between . They take place in the actual combat zones of World War II, against the established enemies, on the ground, the sea, or in the air. They contain many repeated events, such as mail call, all presented visually with appropriate uniforms, equipment, and iconography of battle. Further, Basinger considers Bataan to provide a definition- by- example of . She argues that the combat film is not a subgenre but the only genuine kind of war film. ![]() Since she notes that there were in fact only five true combat films made during the Second World War, in her view these few films, central to the genre, are outweighed by the many other films that lie on the margins of being war films. However, other critics such as Russell Earl Shain propose a far broader definition of war film, to include films that deal . This in turn pushes combat scenes to the climactic ends of war films. Not all critics agree, either, that war films must be about 2. James Clarke includes Edward Zwick's Oscar- winning Glory (1. American Civil War, and he lists six other films about that war which he considers . One of the earliest films using the Civil War as its subject was D. W. Griffith's 1. 91. The Fugitive. Some films deal with the human aspects of the war, such as The Red Badge of Courage (1. These non- combat films were accompanied by . Topics included prisoners of war, covert operations, and military training. Both the Central Powers and the Allies produced war documentaries. The films were also used as propaganda in neutral countries like the United States. Among these was a film shot on the Eastern Front by official war photographer to the Central Powers, Albert K. Dawson: The Battle and Fall of Przemysl (1. Siege of Przemy. Much of the film was shot on location at the Western Front in France; it had a powerful emotional impact. It was watched by some 2. Britain in its six weeks of exhibition, making it what the critic Francine Stock called . Wellman's Wings (1. First World War, was the first film (in any genre), and the only silent film, to win an Oscar for best picture.! What a Lovely War (1. Sam Wood's For Whom the Bell Tolls (1. Ernest Hemingway's book of the same name, portrays the fated romance between an American played by Gary Cooper and a partisan played by Ingrid Bergman against the backdrop of the civil war. The epic 1. 68 minute film with its landscapes shot in Technicolor and a . The critic Guy Westwell notes that it questioned the conduct of the war, as did later films like The Bridges at Toko- Ri (1. Pork Chop Hill (1. Fuller agreed that all his films were anti- war. No Hollywood films about the Korean War did well at the box office; the historian Lary May suggested that they reminded American viewers of . The 1. 96. 0s military government punished pro- communist film- makers and gave Grand Bell Awards to films with the strongest anti- communist message. Censorship loosened in the 1. The Taebaek Mountains (1. Silver Stallion (1. Spring in My Hometown (1. American military presence on village life. The violent action films Shiri (1. Joint Security Area (2. North Korea in a favourable light. The first was My Home Village (1. Korea from the Japanese, presented as the work of Kim Il Sung without help from the Americans. Similarly, the country's films about the Korean War show victory without help from the Chinese. The film scholar Johannes Sch. It was shot on location as an Italo- Algerian co- production. It had the black and white newsreel style of Italian neorealism, and even- handedly depicts violence on both sides. It won various awards including Golden Lion at the Venice Film Festival. The exceptions included The Green Berets (1. Critics such as Basinger explain that Hollywood avoided the subject because of opposition to United States involvement in the Vietnam War, making the subject divisive; in addition, the film industry was in crisis, and the army did not wish to assist in making anti- war films. From the late 1. 97. Hollywood that Vietnam could be treated in film. Successful but very different portrayals of the war in which America had been defeated included Michael Cimino's The Deer Hunter (1. Francis Ford Coppola's Apocalypse Now (1. With the shift in American politics to the right in the 1. Oliver Stone's Platoon (1. Stanley Kubrick's Full Metal Jacket (1. John Irvin's Hamburger Hill (1. The Vietnamese director Nguyen Hong Sen's The Abandoned Field: Free Fire Zone (Canh dong hoang, 1. The film cuts to an (American) . Films such as The Lion Has Wings and Target for Tonight were made under the control of the Films Division of the Ministry of Information. The British film industry began to combine documentary techniques with fictional stories in films like No. Air Force and U. S. Navy; the Army made its own through the U. S. Signal Corps, including John Huston's The Battle of San Pietro. Miniver (1. 94. 2), which portrayed a British family on the home front. Ilya Kopalin's documentary Moscow Strikes Back (Russian: . It depicted civilians helping to defend the city, the parade in Red Square and Stalin's speech rousing the Russian people to battle, actual fighting, Germans surrendering and dead, and atrocities including murdered children and hanged civilians. It won an Academy Award in 1. One of the first to attempt to represent violence, and which was praised at the time for . The depiction actually remained stylised: Jeanine Basinger gives as an example the . Basinger points out that while this is physically unrealistic, psychologically it may not have been. The wartime audience was, she points out, well aware of friends and relatives who had been killed or who had come home wounded. In Germany, the army high command brought out Sieg im Westen (. At over eight million marks, using thousands of soldiers as extras and 1. German film made during the war. The actual siege ended with the surrender of the town; in the film, the French generals abandon the siege. The government dispatched a . Tomotaka Tasaka's Mud and Soldiers (1. China, K. Japanese film critics worried that even with Western film techniques, their film output failed to represent native Japanese values. Heroes were typically low- ranking officers, not samurai, calmly devoted to his men and his country. These films did not personalise the enemy and therefore lacked hatred, though Great Britain could figure as the . For Japanese film- makers, war was not a cause but more like a natural disaster, and . Asian enemies, especially the Chinese, were often portrayed as redeemable and even possible marriage partners. Japanese wartime films do not glorify war, but present the Japanese state as one great family and the Japanese people as an . Dower comments that the perversity of this image . Like others of the period, The Cruel Sea was based on a bestselling novel, in this case the former naval commander Nicholas Monsarrat's story of the battle of the Atlantic. The Dam Busters became the most popular film in Britain in 1. In 1. 95. 7 alone, Bitter Victory, Count Five and Die, The Enemy Below, Ill Met by Moonlight, Men in War, The One That Got Away and Seven Thunders, and the highly successful, critically acclaimed pictures The Bridge on the River Kwai, which won the Academy Award for Best Picture that year, and Paths of Glory were released. By the end of the decade the . Marines considered Sands of Iwo Jima visually authentic, but found Lewis Milestone's Battle Cry (1. The formula for a successful war film consisted, according to Lawrence Suid, of a small group of ethnically diverse men; an unreasonable senior officer; cowards became heroic, or died. Jeanine Basinger suggests that a traditional war film should have a hero, a group, and an objective, and that the group should contain . Nazaire Raid, and Ill Met by Moonlight (1. German commander of Crete, inspired fictional adventure films such as The Guns of Navarone (1. The Train (1. 96. Where Eagles Dare (1. These used the war as a backdrop for spectacular action. Zanuck produced the 1. The Longest Day (1. D- Day landings, achieving commercial success and Oscars. In Lawrence Suid's view, The Longest Day . However, its cost also made it the last of the traditional war films, while the controversy around the help given by the U. S. Army and Zanuck's !
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
November 2017
Categories |